GestureSynth.me

115 local songs and chord drills

Songs to Play on Gesture Synth

Choose from 111 song-context studies and four focused chord or technique drills. Each exercise has visual targets for degree, wrist world, voicing and octave; these chord studies are not original-song transcriptions.

songs to play on gesture synth

All Gesture Synth Lessons, Songs and Drills

The best first songs for Gesture Synth use repeated harmonic targets and leave enough time for the hand tracker to settle. This page opens the built-in song picker after Start, so the guide and the real practice flow stay on one canonical page.

This is the all-lessons hub for the site's beginner-to-intermediate practice material. The library contains 115 local exercises and is designed for a general audience, including adult beginners, teachers and independent learners. Familiar public-domain and classical titles are used as short harmonic exercises, not as a child-directed service. It stores chord targets rather than commercial recordings and does not upload camera video or microphone audio while you practise.

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Exercises
115 local studies
Levels
Beginner to intermediate
Targets
Chord degree and voicing
Audio source
Browser synthesis

Start with a Song That Matches Your Skill

Press Start, allow camera access and choose a song from the Learn panel. Twinkle Twinkle Little Star is the most forgiving first run, Ode to Joy adds faster changes, and Amazing Grace slows the tempo while asking for more seventh and octave shapes.

A target advances only after the required left-hand degree and right-hand voicing are held steadily. Use Skip to keep moving when one transition needs separate practice; completed and skipped counts describe only the current run.

Twinkle Twinkle Little Star: Best First Song

The C-major arrangement begins with repeated I and IV targets, then introduces a first inversion, Cmaj7, G7 and one low-octave C. Its 92 BPM pace gives beginners time to form each shape without turning the exercise into a static hold.

Learn the left-hand degree changes first. Add three right-hand fingers only when the Cmaj7 target appears, four for G7, and extend the right thumb for the low-octave event.

  • Key: C major
  • Tempo: 92 BPM
  • Focus: I–IV–V movement, first inversion and seventh shapes
  • Best for: a first complete practice run

Ode to Joy: Practise Faster Chord Changes

The D-major Ode to Joy exercise runs at 108 BPM and moves through D, A/C♯, G, D/F♯ and A7 before introducing B minor. That minor-world target makes the arrangement useful after basic major gestures feel stable.

Do not rush the B-minor transition. Tilt or fix the left-hand mode deliberately, then confirm the recognised chord label before continuing with the next major target.

  • Key: D major
  • Tempo: 108 BPM
  • Focus: inversions, A7 and a B-minor change
  • Best for: coordination at a steadier pulse

Amazing Grace: Work on Sevenths and Octave Control

Amazing Grace uses a slower 76 BPM G-major arrangement but asks for G low, Cmaj7, D7, Em and G/B. The tempo is relaxed; the challenge is choosing the correct right-hand finger count and deciding when the thumb should lower the octave.

Practise the Cmaj7 and D7 targets as a pair. Three raised right fingers select the major seventh shape, while four select the dominant seventh shape in major mode.

  • Key: G major
  • Tempo: 76 BPM
  • Focus: major seventh, dominant seventh and low octave
  • Best for: deliberate right-hand voicing control

Continue with More Song Studies and Focused Drills

Jingle Bells, Happy Birthday and Row Row Row Your Boat cover compact primary-chord studies. Auld Lang Syne, Silent Night, O Christmas Tree, Aura Lee, My Bonnie, Home on the Range, Little Bo Peep, Mary Mary Quite Contrary, Hush Little Baby, Red River Valley, Lavender's Blue, Oh My Darling Clementine, Beautiful Dreamer and Brahms' Lullaby slow down inversion, balance, wrist-world and return work; When the Saints, Old MacDonald, Camptown Races, London Bridge, Skip to My Lou, Pop Goes the Weasel, Polly Wolly Doodle, Hickory Dickory Dock, Hey Diddle Diddle, Deck the Halls, One Two Buckle My Shoe, Pat a Cake, Jack Be Nimble, Bobby Shafto, Michael Finnegan, I Saw Three Ships, Alouette, Down by the Riverside, Minuet in G and The Blue Danube increase the pulse; Mary Had a Little Lamb, Frère Jacques, The Farmer in the Dell, This Old Man, Bingo, The Muffin Man, Sing a Song of Sixpence, Oranges and Lemons, Itsy Bitsy Spider, Goosey Goosey Gander, Rain Rain Go Away, Pease Porridge Hot, Ding Dong Bell, The Grand Old Duke of York, Sur le Pont d’Avignon, Polly Put the Kettle On, Oh Where Has My Little Dog Gone, Three Little Kittens and Au Clair de la Lune reinforce repeatable shapes, recall, articulation, register and symmetry. Greensleeves, Little Miss Muffet, Scarborough Fair, Für Elise, Moonlight Sonata and Swan Lake develop minor-world control. Canon in D develops longer progression memory. Each public-domain or classical page opens its own stored targets and explains the difficult transitions. Morning Mood, Nutcracker March, In the Hall of the Mountain King, Ride of the Valkyries and Eine kleine Nachtmusik add new public-domain register, quality-ladder, acceleration, wide-leap and voicing-comparison studies. Clair de Lune, Vivaldi Spring, 1812 Overture, Beethoven Fifth Symphony and Bridal Chorus add new quiet-voicing, quick-return, broad-motion, minor-pressure and ceremonial-cadence studies. The Entertainer, Toccata and Fugue in D Minor, New World Symphony, Hungarian Dance No. 5 and Flight of the Bumblebee add syncopated preparation, register control, world-return, rapid-pivot and compact-speed studies.

The same picker also includes two chord-only studies without lyrics, melody transcription or commercial audio, plus separate chord-inversion and seventh-chord drills. Choose a technique drill when one hand property is failing; choose a song when you are ready to coordinate several properties in sequence.

The latest studies compare seventh continuity in Gymnopédie No. 1, E-major colours in Arabesque No. 1, root and inversion listening in Prelude in C Major, dominant resets in Turkish March, and diminished quality with a low ending in Dance of the Sugar Plum Fairy.

Answers before you play

Gesture Synth Songs FAQ

Which Gesture Synth song is easiest?

Start with Twinkle Twinkle Little Star. Its repeated C-major targets provide more time to stabilise each hand shape before the next change.

Are these complete commercial song recordings?

No. They are small public-domain practice arrangements made from chord targets. The browser synthesises the audio from your performance.

Can I add my own song?

The public picker contains one hundred curated local exercises and does not provide a custom-song upload or editor. You can use the loop sequencer separately for your own progressions.

Why did a correct-looking pose not advance?

Both the requested degree and voicing must be recognised and held briefly. Improve lighting, keep wrists in frame and wait for the live label to settle.