Play Morning Mood on Gesture Synth

Read the Eight-Target Sunrise Route

Targets one through four are G, G/B, Cmaj7 and D7. G begins with left degree I, the major wrist world and one right-hand finger. G/B keeps degree I and the major world but changes the right hand to two fingers for first inversion. Cmaj7 moves the left hand to degree IV and opens three right-hand fingers. D7 then moves to degree V and uses four right-hand fingers. Because every early target changes only one or two properties, this half works as a controlled quality ladder rather than a race.

Targets five through eight are Em, C, Am7 and low G. Em uses left degree VI, the minor wrist world and one right-hand finger. C returns to degree IV and the major world without changing the one-finger quality. Am7 moves to degree II, rotates back to minor and opens three right-hand fingers. Low G closes with degree I, major world, one right-hand finger and the right thumb extended for the lower octave.

Say the four properties before forming each pose: degree, world, quality and octave. The exercise confirms only when all four agree continuously for roughly 350 milliseconds. After confirmation, the 650-millisecond pause is preparation time; keep the completed pose still until the interface has clearly moved to the next card, then change the smallest possible number of inputs.

• G to G/B isolates the right-hand change from root position to first inversion.
• G/B to Cmaj7 changes both degree and right-hand count while the wrist stays major.
• D7 to Em changes degree, wrist world and quality together at the section boundary.
• Am7 to low G closes by resetting degree, world, quality and octave in one planned sequence.

Use Quiet Hands Instead of a Rising Arm Gesture

A sunrise image may suggest lifting both arms, but height and dramatic motion have no musical meaning in this interface. Keep each palm inside its own half of the camera, leave the wrist visible and let finger patterns carry the command. The left-hand finger count chooses scale degree; left-wrist tilt chooses the major or minor world. The right-hand count chooses root position, inversion or seventh, and the right thumb is reserved for the one low target.

For a clean G-to-G/B comparison, freeze the left hand and wrist while changing only the right hand from one visible finger to two. For Cmaj7-to-D7, establish the new left degree before opening the fourth right-hand finger. If the live label passes through several names, stop moving, restore the last confirmed state and rebuild the new target one property at a time.

Soft room light from in front of you is more useful than a bright window behind the hands. Keep fingers separated enough for the camera to count them, but do not stretch until the palm rotates away. Camera distance should leave both fingertips and wrists visible at the same time. These adjustments improve recognition without changing the musical task.

Set reliable hand positions → · Review camera setup → · Learn the degree and quality map →

Rehearse the Em and Am7 Minor-World Pivots

The first minor-world target is Em immediately after D7. Prepare it during the section break: close the right hand from four fingers to one, form degree VI on the left and rotate that wrist into the minor world. Press Next section only when you can hold those components without borrowing the previous D7 shape. A premature major wrist will produce the wrong family even if the degree and right-hand count are correct.

Am7 arrives between C and low G. From C, move the left degree from IV to II, rotate into minor and open three right-hand fingers. After it confirms, reset the hands in a fixed order for low G: degree I, major wrist, one quality finger, then right thumb. Adding the thumb last prevents the octave request from hiding an unresolved world or quality error.

Repeat the second section three ways. First ignore tempo and name each property aloud. Second keep the stored 76 BPM click on but wait for visual confirmation rather than a beat. Third complete the four targets without Skip. The click is only a steady reference; it never advances the lesson or proves that a pose is correct.

Practise seventh shapes → · Compare root position and inversion → · Open the adjustable metronome →

Run a Diagnostic Pass Before the Musical Pass

On the first pass, watch the live chord label and match chips instead of the composition title. If G/B remains G, the right hand needs two clearly separated fingers. If Cmaj7 becomes a dominant seventh, keep three right-hand fingers rather than four. If Em or Am7 stays in a major family, correct only the left-wrist world. If the final G is not low, extend the right thumb while preserving the single quality finger.

On the second pass, look for economical changes: one right-hand adjustment between G and G/B, a stable major wrist through the first four targets, a deliberate minor rotation at Em, and a thumb added only at the final G. Use the section boundary to rest rather than trying to imitate an orchestral phrase. A successful run is eight accurate browser states in order, not a claim that the generated chords reconstruct Grieg's score.

If tracking remains inconsistent after improving light and separation, stop the session so the camera track closes, check the browser permission, and restart. Persistent delayed sound with stable visual labels is an audio-latency issue rather than a hand-recognition failure. Keep those diagnoses separate so you do not change a correct pose to solve an unrelated device problem.

Troubleshoot missed targets → · Diagnose browser audio lag → · Browse all guided studies →