Play Alouette on Gesture Synth

Map the Four-Target Call and Four-Target Answer

The call is F–C7–F/A–B-flat: I–V7–I in first inversion–IV. The answer is G minor–C7–low F–F: ii–V7–low I–I. The first four targets end at the interface's section break; the final four begin only after you choose Next section.

For the call, use one raised left-hand finger for degree I and one raised right-hand finger for F; all five left-hand digits for degree V and four right-hand fingers for C7; one left-hand finger for degree I and two right-hand fingers for F/A; then four left-hand fingers for degree IV and one right-hand finger for B-flat.

• Target 5: use two raised left-hand fingers for degree II, tilt the left wrist to minor and show one raised right-hand finger for G minor.
• Target 6: restore the left wrist to major, show all five left-hand digits for degree V and four right-hand fingers for C7.
• Target 7: return to one raised left-hand finger for degree I and one right-hand finger for a triad, then extend the right thumb for low F.
• Target 8: hold the same degree-I and triad shapes while relaxing only the right thumb for normal F.

Use the Section Break to Separate Call From Answer

Complete the call with the metronome off first. Every target needs a complete degree, world, quality and octave match for about 350 milliseconds. After B-flat confirms and the 650-millisecond pause ends, the section-complete screen appears. Relax both hands, review G minor and choose Next section when ready.

In the answer, change finger patterns rather than moving toward imaginary chord stations. Keep both wrists in stable parts of the frame. The left hand supplies degree and wrist world; the right hand supplies chord quality. This separation makes the G-minor-to-C7 change easier to diagnose when one match chip remains unresolved.

Open the separate metronome tool → · Learn one- and two-hand practice options →

Make Low F to F a One-Control Re-entry Test

Targets seven and eight keep the left hand on the one-finger degree-I pattern, the left wrist in the major world and the right hand on a one-finger triad. Extend the right thumb for low F and hold the complete shape until it locks. During the confirmation pause, keep every other control still.

When normal F appears, relax only the right thumb and hold again until the octave match confirms. If the chord degree or quality changes at the same time, the movement was larger than necessary. This pair is a precise re-entry exercise because it isolates one control instead of combining register, degree and quality changes.

Review the complete gesture map → · Calibrate compact hand positions →

Use the Fixed 112 BPM Reference and Fix Recognition Errors

After both sections lock reliably, enable the optional built-in metronome. It begins after the first detected chord and runs at the song's fixed 112 BPM; it does not advance the chart. The metronome turns off at the call-and-answer section break, so enable it again after Next section if you want a click for the answer.

If C7 reads as C, verify all five left-hand digits for degree V and four separated right-hand fingers. If F/A reads as F, keep the left hand on degree I and change the right hand from one raised finger to two. If low F does not lock, extend the right thumb without dropping the wrist out of frame. If a control never changes, check for a persisted Fixed setting.

Improve webcam framing and light → · Troubleshoot unstable recognition →