Play Bridal Chorus on Gesture Synth

Read the Ceremonial Route as Two Four-Target Cadences

Section one is F, B-flat, C/E and C7. F uses degree I, the major wrist world and one right-hand finger. B-flat changes only the left degree to IV. C/E moves to degree V and raises two right-hand fingers for first inversion. C7 keeps degree V and the major world while opening four right-hand fingers.

Section two is Dm, Gm7, C7 and F. Dm uses degree VI, the minor wrist world and one finger. Gm7 moves to degree II, stays minor and opens three fingers. C7 returns to degree V, major world and four fingers. F resolves with degree I, major world and one finger. No target uses the low-octave thumb.

The browser confirms only after the full state remains matched for about 350 milliseconds. The following lock period is time to prepare, not a signal to abandon the current pose. Keep the hands visible until the card changes, then modify only the properties required for the next target.

• F to B-flat is a degree-only change.
• C/E to C7 holds degree V and changes two right-hand fingers to four.
• Dm to Gm7 keeps the minor world while degree and quality change.
• The repeated C7 should look identical in both sections.

Use Steady Posture Instead of Processional Arm Motion

A ceremonial pace can suggest broad arm movement, but the interface reads finger count and wrist orientation. Keep both wrists fully visible and the palms on separate sides of the camera. The left hand supplies degree and world; the right hand supplies quality. Vertical height affects expression, so choose a comfortable middle level and keep it consistent while learning the sequence.

The first F-to-B-flat move should leave the right hand unchanged. C/E introduces two right-hand fingers; C7 opens four while the left remains on degree V. If the chord label wanders, rebuild the target in a fixed order: degree, wrist world, right-hand count, octave check.

Use even front lighting and avoid formal clothing or backgrounds that hide finger edges. You do not need to stand far away or present a whole-body pose. The camera needs both hands and wrists, not a staged wedding scene. Compact, repeatable states produce a more reliable lesson.

Set dependable hand positions → · Improve camera setup → · Learn every gesture control →

Rebuild C7 from Two Different Starting Shapes

The first C7 follows C/E, so the left degree and wrist already match; only the right-hand count changes from two to four. The second C7 follows Gm7, so degree II changes to V, the wrist rotates from minor to major and the right hand changes from three to four fingers. Arriving at the same target through two different paths makes repeatability visible.

Compare Dm with Gm7 before the second cadence. Both use the minor world, but Dm uses degree VI and one right-hand finger while Gm7 uses degree II and three. Set the new degree first, preserve the wrist world and then open the right hand. If the world flips to major, correct only the wrist rather than restarting every property.

Test the route's negative boundary by extending the right thumb on the final F. Because the stored target is normal octave, the page should refuse to confirm until the thumb is folded. This proves the lesson checks register even though none of the eight valid targets requests a low octave.

Practise dominant sevenths → · Practise the C/E inversion → · Adjust practice tempo →

Finish with One Consistent Dominant-to-Tonic Resolution

Restart and complete all eight cards without Skip. Check that F-to-B-flat changes only the left degree, C/E and C7 stay on degree V, the manual section break gives enough time to prepare Dm, and both C7 poses are identical before resolving to F. Hold the last target until completion appears.

This route is a hand-control lesson, not a substitute for a ceremony recording, piano arrangement or opera score. The neutral 88 BPM click supports an even pace but does not reproduce the original rhythm. Turn it off if it causes hurried states and restore it after the sequence is reliable.

If matching remains unstable, check light, wrist visibility and finger separation. If matching is correct but audio arrives late, troubleshoot browser latency instead of altering the pose. Stop the session afterward so the camera track closes; camera frames stay local and no microphone is requested.

Recover from recognition errors → · Diagnose audio latency → · Browse all guided songs →