Play Ride of the Valkyries on Gesture Synth

Learn the Wide Degree Route in Two Groups

Section one is Dm, B-flat, Gm7 and A7. Dm begins on degree I with the minor wrist and one right-hand finger. B-flat jumps to degree VI, rotates to the major world and keeps one right-hand finger. Gm7 moves back to degree IV, returns to minor and opens three right-hand fingers. A7 advances to degree V, returns the wrist to major and opens four right-hand fingers.

Section two is Dm/F, C, A7 and low Dm. Dm/F returns to degree I, minor world and two right-hand fingers for first inversion. C jumps to degree VII, major world and one right-hand finger. A7 returns to degree V and four right-hand fingers. Low Dm resolves on degree I, minor world and one right-hand finger with the right thumb extended.

Memorise the degree route separately from the chord names: I, VI, IV, V; I, VII, V, I. Then rehearse the wrist route: minor, major, minor, major; minor, major, major, minor. Combining two memorized control lanes is safer than guessing a complete pose from the target label at full speed.

• Target two makes the widest early jump: degree I to VI while the right quality stays one.
• Target five begins section two with degree I, minor world and two-finger inversion.
• Target six uses degree VII, which needs a clear non-adjacent left-hand pattern.
• Only target eight uses the right thumb for a lower octave.

Keep Dramatic Context out of the Recognition Inputs

Do not use sweeping arms, forward thrusts or vertical lifts to represent the title. Those movements are not controls and may remove fingers or wrists from the camera. Keep each hand in its own region, present the palm clearly and change the precise finger pattern or wrist world that the current card requests.

At B-flat, the right hand can remain on one finger while the left hand changes degree and world. Use that constraint to make the leap compact. At Gm7 and A7, change the right-hand count only after the left state is readable. If recognition flickers, stop moving and compare the live degree, world, quality and octave chips with the target one at a time.

The stored 112 BPM click starts only after the first target is detected. It pauses at the section break and never validates a pose. Complete an initial pass with the click off, then enable it as an attention challenge. Accurate late confirmations are more valuable than movements that arrive on a pulse but contain the wrong property.

Set compact hand positions → · Review degree patterns → · Use a separate custom metronome →

Prepare Dm/F, Degree VII and the Low-Tonic Landing

At the manual section break, form Dm/F before pressing Next section: degree I on the left, minor wrist and two right-hand fingers. The inversion is a controlled reset after A7. If it reads as D minor, keep the left state and expose the second right-hand finger more clearly; if it reads as a major chord, correct only the wrist world.

C requires degree VII, the major wrist and one right-hand finger. Build its non-adjacent left pattern slowly while the hands remain separated. The next A7 uses degree V and four right-hand fingers but stays in the major world. That lets you preserve wrist orientation while changing degree and quality.

For low Dm, first establish degree I, minor world and one right-hand finger in the normal octave. Add the right thumb last. The target should fail if the thumb is missing and should also fail if extra quality fingers remain raised. Hold the complete lower state until the page reports completion instead of dropping the hands at the first sound.

Practise first inversions → · Practise seventh qualities → · Read the step-by-step playing guide →

Pass Three Positive Tests and One Boundary Test

Positive test one is Dm to B-flat: keep one right-hand finger while degree and world change. Positive test two is Gm7 to A7: change degree, world and three fingers to four. Positive test three is C to A7: remain in the major world while degree and right quality change. Repeat each pair until the live labels move directly between the intended states.

The boundary test is the final low Dm. First present a correct normal-octave Dm and confirm that it does not satisfy the low card. Then add the right thumb without changing the left hand or quality finger. This proves that the octave is an independently checked property rather than decorative movement.

After the tests, restart and finish all eight cards without Skip. If visual matching is stable but audio is delayed, investigate browser latency. If labels disappear, improve lighting and camera framing. When finished, stop the session to close the active camera tracks. The browser processes frames locally and requests no microphone audio.

Troubleshoot recognition → · Diagnose delayed sound → · Continue from the lesson hub →