Play Minuet in G on Gesture Synth

Map the G-Major Cadence and Octave Route

Section one is G–D7–G/B–C. G begins on degree I in the major world with one right-hand finger. D7 uses degree V and four right-hand fingers while the wrist remains major. G/B returns to degree I but uses two right-hand fingers for first inversion. C uses degree IV, major world and a one-finger triad.

Section two is Am7–D7–low G–normal G. A minor seventh changes to degree II, the minor wrist world and three right-hand fingers. D7 returns to degree V in the major world with four fingers. Low G and normal G share degree I, major world and one-finger quality; only the low target adds the right-thumb octave extension.

Before Start, rehearse the right-hand pattern one, four, two, one, then three, four, one, one. Next rehearse the wrist route: four major targets, one minor target and three major targets. Save the thumb extension for target seven. This order keeps the octave command separate from chord quality.

• Target 2: degree V in the major world with four right-hand fingers for D7.
• Target 3: degree I with two right-hand fingers for G/B.
• Target 5: degree II in the minor world with three right-hand fingers for Am7.
• Targets 7 and 8: identical G chord controls, distinguished only by the low-octave thumb extension.

Keep the D7 and G/B Qualities Distinct

The D7-to-G/B transition returns the left hand from degree V to degree I and closes the right hand from four fingers to two. Keep the left wrist in the major world throughout. If you change the wrist or sweep across the frame, the tracker may see an unnecessary intermediate state. Build the next finger counts compactly and wait for the displayed label.

Every target needs roughly 350 milliseconds of stable agreement. During the 650-millisecond confirmation pause, release the old finger count without hiding the other hand. The interface does not assign chords to horizontal zones. Consistent lighting, visible fingertips and a clear wrist angle are more valuable than a larger movement.

Practise chord inversions directly → · Practise seventh-chord finger counts → · Review the complete hand-control map →

Prepare Am7 and the Low-G Octave at the Break

When C completes target four, use the section screen to preview A minor seventh. Form degree II, tilt the left wrist into the minor world and show three fingers on the right before selecting Next section. The exercise and optional click remain paused, so you can establish the unusual opening target without rushing.

After D7, close both hands to the normal G triad controls and add the configured right-thumb low-octave extension. Hold that complete low G until it confirms. For target eight, preserve degree I, major world and one-finger quality but release the octave extension. Repeat the final pair until the displayed octave changes without a chord-quality misread.

Review hand-gesture music theory → · Choose stable webcam hand positions →

Use the Fixed 96 BPM Reference and Fix Misreads

Finish both sections once with the click off, then enable the built-in metronome. It starts after the first detected chord and stays at the song's fixed 96 BPM. The click is only a pulse reference; it never approves a target, skips a chord or moves through the section break. Enable it again after Next section if you want the closing cadence on the same pulse.

If G/B reads as G, keep degree I and show two right-hand fingers. If Am7 stays major, preserve degree II and clarify the minor wrist tilt; if it reads as A minor, use three fingers on the right. If low G locks as normal G, extend the configured octave thumb while leaving the other properties unchanged. Late sound after a visual lock is an audio-latency issue.

Complete three final passes: section one for quality changes, section two for the minor-to-major and octave sequence, then all eight targets without Skip. Count only visual target confirmations. The study develops gesture precision in classical context and does not claim to reproduce the original keyboard piece.

Open the adjustable metronome → · Diagnose browser audio latency → · Browse all guided song studies →