Play Ave Maria on Gesture Synth

Map the Eight F-Major Gesture Targets

Section one is F–C7–F/A–Dm. F begins on degree I with a major wrist and one right-hand finger. C7 moves to degree V, keeps the major world and opens four fingers. F/A returns to degree I while two right-hand fingers select first inversion. D minor moves to degree VI, rotates the wrist to minor and returns to one finger.

Section two is B-flat major seventh–Gm7–C7–F. B-flat major seventh uses degree IV, major wrist and three right-hand fingers. G minor seventh uses degree II, minor wrist and the same three-finger quality. C7 moves to degree V, major world and four fingers. F closes on degree I, major wrist and one finger.

The sequence is designed around small contrasts. F to C7 changes degree and right-hand count but not world. B-flat major seventh to Gm7 keeps three fingers while degree and wrist change. Those controlled pairs let you diagnose which hand property caused a miss instead of repeating the entire route blindly.

• Target 2: degree V and four right-hand fingers for C7.
• Target 3: degree I and two fingers for F/A.
• Targets 5–6: preserve three fingers while changing degree and wrist world.
• Targets 7–8: close C7 to F across degree and quality.

Create Legato Control with Stable, Not Blurred, Poses

Legato here means preparing the next readable state calmly; it does not mean blending two targets into an ambiguous pose. Hold the complete chord target for about 350 milliseconds. During the 650-millisecond confirmation pause, change one property at a time and watch the labels. The next target is accepted only when all required properties agree.

Keep hands at a comfortable distance from the webcam and preserve clear space between fingers. If you need to rotate the left wrist, avoid curling or extending fingers at the same time. If you need a new right-hand count, keep the wrist position and thumb neutral. Side-to-side motion does not select a chord and should not be used as a substitute for a clear pose.

Practise F–C7–F/A until degree I can return with two fingers reliably. Then practise B-flat major seventh–Gm7 as a paired world-change drill. Join the sections only after each pair is stable without Skip.

Review stable hand positions → · Set up camera lighting and framing →

Prepare the Major-Seventh Entry at the Section Break

D minor ends section one with degree VI, minor world and one finger. At the break, prepare B-flat major seventh before selecting Next section: change to degree IV, rotate to major and show three right-hand fingers. This prevents the new section from opening on B-flat major or B-flat minor. The lesson waits until you choose to continue.

For B-flat major seventh to Gm7, keep three right-hand fingers visible and change only the left-hand degree and wrist. For Gm7 to C7, change degree II to V, minor to major and three fingers to four. The final C7-to-F close keeps the major world, so simplify it to degree V-to-I and four-to-one fingers.

The exercise is intentionally harmonic and control-focused. No lyrics or melody are displayed or evaluated, and the generated chord sounds are not a backing track. You can therefore repeat individual transitions without implying that the browser is teaching a vocal performance.

Practise seventh-chord qualities → · Practise first inversions →

Fix Common Misreads and Add the 62 BPM Reference

If C7 reads as C, show four separated right-hand fingertips. If F/A reads as F, use exactly two. If D minor remains major, clarify the minor wrist without changing degree VI. If B-flat major seventh reads as a triad, preserve degree IV and major world while showing three fingers. If Gm7 stays major, rotate the left wrist to minor.

Enable the fixed 62 BPM click only after a complete silent run. It starts after the first recognised target and stops at the section break. The click is a neutral preparation reference, not Schubert's accompaniment or vocal timing, and it does not validate or advance a chord. Use the separate metronome for a different pace.

Finish with one pass that names each degree and world, one that focuses on right-hand counts, and one full no-Skip run. Completion means eight local GestureSynth targets were recognised in order; it does not mean the source song, text or performance was reproduced.

Open the adjustable metronome → · Troubleshoot camera recognition → · Browse all guided exercises →